{"id":504,"date":"2026-09-10T19:51:56","date_gmt":"2026-09-10T10:51:56","guid":{"rendered":"https:\/\/koganecho.net\/koganecho-bazaar-2026\/?post_type=event&p=504"},"modified":"2026-09-10T19:54:50","modified_gmt":"2026-09-10T10:54:50","slug":"jel-suarez-open-studio","status":"publish","type":"event","link":"https:\/\/koganecho.net\/koganecho-bazaar-2026\/events\/jel-suarez-open-studio\/","title":{"rendered":"JEL SUAREZ: Open Studio\u3000\u30b8\u30a7\u30eb\u30fb\u30b9\u30a2\u30ec\u30b9\uff1a\u30aa\u30fc\u30d7\u30f3\u30b9\u30bf\u30b8\u30aa"},"content":{"rendered":"\n

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\u3053\u306e\u4f5c\u54c1\u306f\u3001\u7d20\u6750\u3084\u79fb\u52d5\u3001\u304b\u305f\u3061\u305d\u306e\u3082\u306e\u304c\u3001\u8a00\u8a9e\u3092\u8d85\u3048\u305f\u300c\u77e5\u308b\u300d\u305f\u3081\u306e\u65b9\u6cd5\u3068\u306a\u308a\u5f97\u308b\u306e\u304b\u3092\u554f\u3044\u304b\u3051\u307e\u3059\u3002\u3053\u308c\u3089\u306e\u7d20\u6750\u3092\u518d\u3073\u65e5\u672c\u3078\u3068\u6301\u3061\u8fbc\u3080\u3053\u3068\u3067\u3001\u5f7c\u5973\u306f\u554f\u3044\u3092\u6295\u3052\u304b\u3051\u307e\u3059\u3002
\u79c1\u305f\u3061\u304c\u904b\u3076\u3082\u306e\u306f\u3001\u79fb\u52d5\u3059\u308b\u3053\u3068\u3067\u3069\u306e\u3088\u3046\u306b\u5909\u308f\u308b\u306e\u3060\u308d\u3046\u304b\uff1f<\/p>\n\n\n\n

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What is transformed when we move?<\/strong><\/em><\/h3>\n\n\n\n

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The open studio presents the artist\u2019s ongoing inquiry of objects, movement, and shifting meanings across places. Drawing from Japan\u2019s surplus culture and her experience of working with found materials in the Philippines, she examines how objects are transformed as they move across culture, economies, and ownership.<\/p>\n\n\n\n

As a residency recipient travelling across countries from 2026\u20132027, the artist also reflects on displacement, and how temporary places and encounters can (re)shape artistic practice, identity, and ideas.<\/p>\n\n\n\n

At the center of her current work are Japanese scrolls (kakejiku) collected from various surplus markets and transformed through collage. While their original texts can no longer be reconstructed, they continue to carry traces of their previous lives. The work asks whether material, movement, and form can offer ways of knowing beyond language. Bringing these materials back to Japan, she asks: How does movement transform what we carry?<\/p>\n\n\n\n

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2023\u5e74\u304b\u30892024\u5e74\u306b\u304b\u3051\u3066\u3001\u30b2\u30fc\u30c6\u30fb\u30a4\u30f3\u30b9\u30c6\u30a3\u30c8\u30a5\u30fc\u30c8\u306e\u652f\u63f4\u3092\u53d7\u3051\u3001\u30c9\u30a4\u30c4\u306e\u30e9\u30a4\u30d7\u30c4\u30a3\u30d2\u56fd\u969b\u30a2\u30fc\u30c8\u30fb\u30d7\u30ed\u30b0\u30e9\u30e0\uff08Leipzig International Art Programme\uff09\u306b\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u30fb\u30a4\u30f3\u30fb\u30ec\u30b8\u30c7\u30f3\u30b9\u3068\u3057\u3066\u6ede\u5728\u3057\u307e\u3057\u305f\u30022024\u5e74\u306b\u306fThirteen Artists Awards\u3092\u53d7\u8cde\u3002\u307e\u305f\u3001Blanc Gallery\u30672024\u5e74\u306b\u958b\u50ac\u3057\u305f\u5c55\u89a7\u4f1a\u300cAs I Lift One Stone\u300d\u306b\u3088\u308a\u30012025\u5e74\u306bFernando Z\u00f3bel Prize for Visual Art\u3092\u53d7\u8cde\u3057\u3066\u3044\u307e\u3059\u3002<\/p>\n\n\n\n

\u8fd1\u5e74\u306e\u5c55\u89a7\u4f1a\u3068\u3057\u3066\u30012026\u5e74\u306b\u306f\u3001OCAD\u5927\u5b66\u3067\u306e\u30ec\u30b8\u30c7\u30f3\u30b9\u306e\u4e00\u74b0\u3068\u3057\u3066\u3001\u30c8\u30ed\u30f3\u30c8\u306eOnsite Gallery\u306b\u3066\u300cA bouquet of flowers must be held, was\u300d\u3092\u767a\u8868\u3057\u307e\u3057\u305f\u3002<\/p>\n\n\n\n

Jel Suarez (b. 1990) is a self-taught visual artist based between Manila and Bacolod City. Working primarily through collage and assemblage, she collects, deconstructs, and rearranges images, as a way of reading and reinterpreting visual phenomena. She was an artist-in-residence at the Leipzig International Art Programme in Germany through the Goethe-Institut (2023\u20132024). Suarez is a recipient of the Thirteen Artists Awards (2024), and the Fernando Z\u00f3bel Prize for Visual Art (2025) for her exhibition As I Lift One Stone <\/em>with Blanc Gallery (2024). <\/p>\n\n\n\n

Her recent exhibition, A bouquet of flowers must be held, was<\/em> presented at Onsite Gallery as part of her residency at OCAD University in Toronto (2026).<\/p>\n<\/div>\n<\/div>\n\n\n\n

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