{"id":1909,"date":"2025-09-26T22:39:34","date_gmt":"2025-09-26T13:39:34","guid":{"rendered":"https:\/\/koganecho.net\/koganecho-bazaar-2025\/?post_type=event&p=1909"},"modified":"2025-10-18T05:59:30","modified_gmt":"2025-10-17T20:59:30","slug":"elena","status":"publish","type":"event","link":"https:\/\/koganecho.net\/koganecho-bazaar-2025\/event\/elena\/","title":{"rendered":"[\u81ea\u4e3b\u4f01\u753b] \u6b63\u76f4\u306b\u8a00\u3046\u3068\u3001\u3068\u3066\u3082\u75b2\u308c\u3066\u3044\u307e\u3059"},"content":{"rendered":"\n
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THE ROOM \u306e\u89aa\u5bc6\u306a\u7a7a\u9593\u3067\u5c55\u958b\u3055\u308c\u308b\u72ec\u7acb\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306f\u3001\u30d5\u30e9\u30f3\u30b9\u7cfb\u30a4\u30e9\u30f3\u4eba\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u3001\u30a2\u30ea\u30a2\u30f3\u30cc\u00b7\u30e1\u30eb\u30b7\u30a8\uff1d\u30dc\u30fc\u306e\u4f5c\u54c1\u3092\u300c\u9ec4\u91d1\u753a\u30d0\u30b6\u30fc\u30eb\u300d\u306e\u67a0\u7d44\u307f\u306e\u4e2d\u3067\u3072\u3068\u3064\u306e\u30b5\u30a4\u30af\u30eb \u2015 Honesty, I\u2019m so tired \u2015 \u3068\u3057\u3066\u7d50\u3073\u5408\u308f\u305b\u307e\u3059\u3002<\/p>\n\n\n\n

\u4eac\u6025\u767e\u8ca8\u5e97\u4e0a\u5927\u5ca1\u5e97\u3067\u306f\u30015\u3064\u306e\u523a\u7e4d\u3055\u308c\u305f\u65e5\u8a18\u306e\u30d5\u30ec\u30fc\u30ba\u304c\u5929\u4e95\u304b\u3089\u5782\u308c\u4e0b\u304c\u308a\u30012\u30e1\u30fc\u30c8\u30eb\u306e\u30d1\u30c3\u30c1\u30ef\u30fc\u30af\u3068\u306a\u3063\u3066\u611f\u60c5\u306e\u6d41\u308c\u3092\u89b3\u5ba2\u3078\u3068\u964d\u308a\u6ce8\u304e\u307e\u3059\u3002<\/p>\n\n\n\n

\u9ec4\u91d1\u753a\u306e\u30ae\u30e3\u30e9\u30ea\u30fc\u30fb\u30a8\u30af\u30bb\u30d7\u30b7\u30e7\u30ca\u30eb\uff08YPAM 2F\uff09\u3067\u306f\u30017\u3064\u306e\u523a\u7e4d\u3055\u308c\u305f\u8a00\u8449\u304c\u7d50\u6676\u5316\u3057\u3001\u7d75\u753b\u3092\u601d\u308f\u305b\u308b\u7c21\u6f54\u306a\u30a4\u30e1\u30fc\u30b8\u3068\u3057\u3066\u7acb\u3061\u73fe\u308c\u307e\u3059\u3002<\/p>\n\n\n\n

\u305d\u3057\u3066THE ROOM\u306e\u89aa\u5bc6\u306a\u7a7a\u9593\u3067\u306f\u3001\u3072\u3068\u3064\u306e\u30d5\u30ec\u30fc\u30ba Honestly, I\u2019m so tired \u304c\u97ff\u304d\u6e21\u308a\u307e\u3059\u3002\u305d\u308c\u306f\u6700\u5f8c\u306e\u4e00\u6ef4\u306e\u3088\u3046\u3067\u3042\u308a\u306a\u304c\u3089\u3001\u540c\u6642\u306b\u65b0\u305f\u306a\u679c\u3066\u3057\u306a\u3044\u5185\u306a\u308b\u30b5\u30a4\u30af\u30eb\u306e\u59cb\u307e\u308a\u3067\u3082\u3042\u308a\u307e\u3059\u3002<\/p>\n\n\n\n

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The independent project in the intimate setting of THE ROOM brings together the works of French-Iranian artist Ariane Mercier-Beau, presented within the framework of the Koganecho Bazaar, into a unified cycle – Honesty I\u2019m so tired<\/em>.<\/p>\n\n\n\n

At Keikyu Department Store Kamiooka<\/strong>, five embroidered diary entries descend from the ceiling, forming a two-meter patchwork of fabric – a flow of emotions pouring down onto the viewer.<\/p>\n\n\n\n

At Gallery Exceptional<\/strong> (YPAM<\/strong> 2F) in Koganecho, seven embroidered statements crystallize into concise images, resembling paintings.<\/p>\n\n\n\n

In the intimate space of THE ROOM<\/strong>, a single phrase, Honestly, I\u2019m so tired<\/em>, resonates like the final drop and at the same time, the beginning of a new endless inner cycle.<\/p>\n\n\n\n

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\u30a2\u30ea\u30a2\u30cd\u30fb\u30e1\u30eb\u30b7\u30a8\u30fb\u30dc\u30fc\uff08Ariane Mercier-Beau\uff09<\/strong><\/p>\n\n\n\n

1995\u5e74\u751f\u307e\u308c\u306e\u30d5\u30e9\u30f3\u30b9\u7cfb\u30a4\u30e9\u30f3\u4eba\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u30022021\u5e74\u306b\u30d5\u30e9\u30f3\u30b9\u30fb\u30b0\u30eb\u30ce\u30fc\u30d6\u30eb\u306e\u7f8e\u8853\u30fb\u30c7\u30b6\u30a4\u30f3\u5b66\u6821\u3092\u5352\u696d\u3002\u5f7c\u5973\u306e\u4f5c\u54c1\u306f\u30c6\u30ad\u30b9\u30bf\u30a4\u30eb\u3092\u4e2d\u5fc3\u3068\u3057\u305f\u8868\u73fe\u3067\u69cb\u6210\u3055\u308c\u3066\u304a\u308a\u3001\u89aa\u5bc6\u3055\u3084\u30e1\u30f3\u30bf\u30eb\u30d8\u30eb\u30b9\u306e\u8c61\u5fb4\u6027\u3092\u8ef8\u3068\u3057\u305f\u30c6\u30fc\u30de\u304c\u4e00\u8cab\u3057\u3066\u4f5c\u54c1\u306b\u73fe\u308c\u3066\u3044\u308b\u3002\u73fe\u5728\u306f\u65e5\u672c\u30fb\u6a2a\u6d5c\u306eAIR\u9ec4\u91d1\u753a\u3067\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u30fb\u30a4\u30f3\u30fb\u30ec\u30b8\u30c7\u30f3\u30b9\u306b\u53c2\u52a0\u4e2d\u3002<\/p>\n\n\n\n

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Ariane Mercier-Beau, born in 1995, is a French-Iranian artist who obtained her degree from the School of Art and Design in Grenoble (France) in 2021. Her artistic focus is primarily on textiles, which she uses as her main medium. Her creative expression revolves around the symbolism of intimacy and mental health, recurring themes in all her visual artwork. She is currently pursuing an artist residency at AIR Koganecho in Yokohama, Japan.<\/p>\n\n\n\n

https:\/\/arianemercierbeau.com<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Curator<\/strong><\/p>\n\n\n\n

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\u30a8\u30ec\u30ca<\/strong>\u30fb\u30a2\u30d5\u30e9\u30e2\u30f4\u30a1<\/strong><\/p>\n\n\n\n

\u30a6\u30af\u30e9\u30a4\u30ca\u751f\u307e\u308c\u306e\u30a4\u30b9\u30e9\u30a8\u30eb\u51fa\u8eab\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\uff0f\u30ad\u30e5\u30ec\u30fc\u30bf\u30fc\u3067\u3001\u65e5\u672c\u3092\u62e0\u70b9\u306b\u6d3b\u52d5\u3002\u4f5c\u54c1\u306f \u30cb\u30e5\u30fc\u30e8\u30fc\u30af\u30fb\u30bf\u30a4\u30e0\u30ba\u3001BBC<\/em>\u3001Newsweek<\/em> \u306b\u63b2\u8f09\u3055\u308c\u3001\u30ab\u30f3\u30dc\u30b8\u30a2\u304b\u3089\u65e5\u672c\u307e\u3067\u306e\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306b\u643a\u308f\u308b\u3002Home.Smoke.Home<\/em>\u3001Garden of people<\/em>\u3001Wake up to a new space<\/em>\u3001not \/ a soldier<\/em> \u306a\u3069\u306e\u5c55\u89a7\u4f1a\u3092\u4f01\u753b\u3057\u3001\u4eba\u3068\u5834\u6240\u306e\u95a2\u4fc2\u3001\u6587\u5316\u7684\u30a2\u30a4\u30c7\u30f3\u30c6\u30a3\u30c6\u30a3\u3001\u30b3\u30df\u30e5\u30cb\u30c6\u30a3\u3092\u63a2\u6c42\u3057\u3066\u3044\u308b\u3002<\/p>\n\n\n\n

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Elena Aframova<\/strong><\/p>\n\n\n\n

Ukrainian-born Israeli artist and curator based in Japan. Her photography has appeared in The New York Times<\/em>, BBC<\/em>, and Newsweek<\/em>, with projects from Cambodia to Japan. She curates exhibitions such as Home.Smoke.Home<\/em>, Garden of people<\/em>, Wake up to a new space<\/em>, and not \/ a soldier<\/em>. Her work explores the relationship between people and place, cultural identity, and community.<\/p>\n\n\n\n

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https:\/\/www.aframova.online\/<\/a><\/p>\n\n\n\n