童文敏(トン・ウェンミン)
Tong Wenmin

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Tong Wenmin, Fly the Wind, 2016, performance, Qinghai, China, single-channel video (color, sound),5'14"

1989年重慶生まれ。 2012年に四川美術学院を卒業。童の作品は、視覚的な詩性や一見すると非常識なアクションを用いて、個人の知覚と外界との交差するところに焦点を当てる。野性的な思考と近代生活の意味を探りながら、彼女の作品は、単純化された規則的な動きを通して、意味深な文脈の中で生じる身体とアクションの寓意的特徴を示唆する。近年の主な個展として、「Emerald 」展(2019年、WHITE SPACE BEIJING、北京)、「Escape from Discipline」展(2019年、Thousand Plateau Art Space、成都)、「Above The Tree」展(2017年、Organ Haus Art Space、重慶). そのほかグループ展には、「Sunset on a Dead End: The Notorious and Their Inexplicable Modes of Existence」展(2019年、Power Station of Art 、上海)、「Unidentified Landscape: Hotel Asia Project 2018」(2018年、BARRAK、 沖縄)、「Responding: International Performance Art Festival and Meeting 2018」 (2018年、福島、東京)などに参加。

Born in Chongqing, 1989. Received her BFA at Sichuan Fine Arts Institute in 2012. Tong's work often focuses on the intersection between individual perception and the external environment, stimulating visual poetry and inspiring action through behaviors that at first seem counter-intuitive. Exploring the wild mind and the meaning of modern life, through often simplified or regulated movements, her work hints at the allegorical character of the body and action within a semantically rich context. Her recent major exhibitions include Emerald (2019, WHITE SPACE BEIJING, Beijing, China), Escape from Discipline (2019, Thousand Plateau Art Space, Chengdu, China), Above The Tree (2017, Organ Haus Art Space, Chongqing, China). Recent group exhibitions include Sunset on a Dead End:The Notorious and Their Inexplicable Modes of Existence (2019, Power Station of Art (PSA), Shanghai, China), Unidentified Landscape: Hotel Asia Project 2018 (2018, BARRAK, Okinawa, Japan), Responding: International Performance Art Festival and Meeting 2018 (2018, Fukushima and Tokyo, Japan).

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